This film shows that ‘how mass media dominates our daily life’ in a mixed format of drama and documentary. Part 1 is a drama represents the process of a human life from the childhood when the person first encounters with TV to how TV dominates him while growing up. Part 2 is a documentary of a group of people who banned from TV for a month. This experiment makes us think about what TV means to our life.

A great flood arrives in a desert kingdom, transforming a dustbowl into a vast and lush wetland, in one of the most diverse habitats on earth. This breath-taking blue-chip natural history film is a journey through Okavango’s seasons, seen through the eyes of an indigenous River Bushman. Our storyteller guides us through the course of Okavango’s flood and into a savage drought, interweaving intimate and spectacular wildlife stories. The arrival and disappearance of precious water determines the destiny of the millions of animals that call Okavango home. For many, the flood is a lifeline. For others, it brings the greatest challenges. Everyone lives or dies by this epic event. It is the heartbeat of the Kalahari.

Musings on life and literature in this student drama made by the Cambridge Film Unit.

Documentary film on events that happened on August 28th in African-American history, shown at the Smithsonian African-American History Museum.

Originally from Bahia and considered today one of the most globalised musical movements in the world, Axé is a musical rhythm that carries in its essence a good part of all the musical and cultural syncretism of Bahia. The documentary brings together interviews and archive images outlining the birth of Axé.

暂无剧情简介

Nothing special had happened on that day in the People’s Republic of Poland. The weather forecast predicted moderate clouds. Over 1600 citizens were born and about 600 died. A day like every day… Police reports, control protocols, complaints, letters from the army and to the prison and also to the newspaper or radio programme Fala 56, a poem by Father Twardowski taken off by censors; and all this under the date of 27 September 1962.

A documentary covering the great flood of 1955 that swept through the state of Connecticut, including testimonies and eyewitness accounts from survivors.

Sergey, a radio factory worker, a part-time student, and Nelya, an Intourist guide, got married relatively recently, but are already experiencing a serious family crisis. The first difficulties of life threaten to destroy their marriage. Young spouses have to combine their studies with work, live with their little daughter in a private apartment, and experience financial difficulties. Everyday life began to annoy Nella, but her husband annoys her even more. Sergey is a good man who loves his wife and daughter, but to his wife he seems clumsy, clumsy, too soft and therefore unable to stand up for himself. Volkov, the head of the department where Nelya works, is another matter. The complete opposite of Sergei, on the contrary, he is an enterprising, successful man, a real man and a standard of reliability…

Beginning with Noam Chomsky's response to a college student who role-plays "Jane U.S.A."--someone who naively believes she lives in a democratic society in which she can create her own destiny--the viewer is presented with a cross-section of typically lively Chomsky encounters. Central to a functioning democracy is the necessity of free access to information, ideas and opinions. But what should be our democratic right turns out to be limited and shaped by the biases of insitutions and ideologies within the mass media. Chomsky shows how governments, corporations and other elites manufacture the consent of the public to serve their interests.